An Overview Of Video Sharing Websites


Within the field of social networking, one area which cannot be ignored by PRs is video sharing. A good piece of video can spread a message to a huge amount of people incredibly quickly, which has led to advertisers creating specific pieces for the internet as well as seeing work originally produced for TV gain massive audience through video sharing websites. A good example of this is Cadbury’s 2007 ‘Gorilla’ ad campaign. The ad, which featured a man in a gorilla suit drumming to a Phil Collins song, was first aired during late summer ’07 with the brand reportedly paying £700K for one advertising spot during the Rugby World Cup. Compare this to the 500,000 views that the video received in its first week after being uploaded to Youtube for the cost of precisely nothing and you’ve got yourself a no-brainer. It pays to engage in this area. But search for video sharing websites and you’ll be met with a bafflingly huge amount of sites. Here are five of the best:

Youtube
You can’t talk about video sharing without talking about Youtube. The biggest of the bunch by a long, long way, Youtube’s top video (Susan Boyle’s audition on Britain’s Got Talent) received upwards of 120 million viewers globally in 2009. Youtube takes the lion’s share of the market because of its ease of use and its wide ranging approach to subject nature, featuring anything from kids messing about filmed on their phones to recordings of gigs to commercial tie-ins and link-ups with established TV channels. Having such a large amount of users, the community aspect of Youtube is also huge, with many videos attracting large amounts of comments and discussion. The site also allows you to embed clips into your existing blog.

Vimeo
Allowing a higher quality picture, Vimeo is aimed at the more advanced video-maker. The site does not allow any commercial videos or videos not made by the user. This means that the site feels more mature, is targeted at a creative use of the medium and encourages a friendly, rather than bitchy, community, as is the case with some other sites. Sign-up is free but there is also a paid-for version which allows more uploads, greater quality and several other features.

Google Video
In 2007, Google bought Youtube, almost immediately converting their previous video service into a search engine (much like Google or Google Images) that scours other video sites for content. The site no longer allows for users to upload video content but if you’re looking for a good place to find a coveted clip, with Google Video, you’ve a good chance of finding it.

Metacafe
Aiming itself squarely at the audience who are looking for a quick hit of entertainment, a break away from work or a diversion from studies, Metacafe’s average video length is 90 seconds. So, no news, no personal vlogs, nothing serious at all in fact. The other difference with Metacafe is that not every video uploaded to this site is automatically featured. Instead, the Metacafe community vet each clip before rating it and deeming it suitable (or not) for the site.

Metacafe

Metacafe

Veoh

Veoh has established partners with the bigger names in TV and film production, which means that it’s perfect for access to hit series’, music videos and film trailers. The yin to Metacafe’s yang, Veoh allows you to watch entire episodes and films, so it’s a place to spend a little time at.

About the Author

Paul Barnett

Paul Barnett

Paul Barnett is a Social Media Analyst for Social Media Library, responsible for developing the content within Social Media Library. Paul lives in a world of blogs, blogs and more blogs, scouring the web and plucking out the juiciest information he finds. Previous to this, he worked as a Music Press Officer. He is also a freelance writer, writing for TV and editing a music title, SWN Magazine.

Paul blogs extremely infrequently about stuff that he does and once blogged about cheese, maybe he will do again some day. Follow him on Twitter @paulbarnett1.




Grooveshark: Music-streaming Goes Social


Grooveshark

Grooveshark

We love Spotify. It sparked tons of debate and provided evidence that ad-funded music streaming is possible and that there is an alternative to traditional discographies and pay as you go models, such as I-Tunes. Along the lines of Spotify comes Grooveshark, a groundbreaking improvement to Spotify’s proposition. It has been 12 hours since I first tried it but I am swooned by it and have already abandoned my Spotify account in favour of Grooveshark. To start with, it lives completely in the cloud, which is handy. Then, you can create an account in practically one minute. From then on you have your profile and can create your playlists as you go. In this sense, Grooveshark resembles social bookmarking in that you save the music you most love neatly under your own tags. Therefore, the more you use it, the better quality your tags will have. And, of course, this enables social browsing through the profiles of friends or random people in the quest for new music.

More specifics: it seems to have more music, less ads (and certainly not the disruptive sort of Nando’s ads, for example, that we’ve grown to hate on Spotify) and the interface is dazzingly superior. Overall, it is more user-friendly and enjoyable. What this brings to mind anyway is that social media has become a key factor to any online adventure. If you have a good idea and website, it may work nicely. But if you add useful social media features it becomes a very likely success. In fact, the Internet is abuzz with Grooveshark, and it seems geared up to become mainstream any time soon. Let me know of your experience with Grooveshark, and of course, find out what I’m listening to -  my profile name is “xavieriza”.

Xavier Izaguirre joined Social Media Library in November 2009 working as part of the Research Team. Prior to joining Social Media Library, Xavier completed a Masters Degree in Marketing and Communications at Westminster University, London. An active user of Social Media platforms, Xavier is very passionate about new trends in communication and Social Media Marketing contributing towards a number of online campaigns within the Educational Sector.

Follow Xavier on Twitter at @Xavi_izaguirre




Might we be saying “It’s Social Media wot won it”?


Does this need a 2010 update?

Does this need a 2010 update?

The front page of The Sun on Saturday 11 April 1992 will go down in history as one of the all time greats. The newspaper’s decisive “Will the last person to leave Britain please turn out the lights” headline on Election Day was considered by some to have tipped the balance of power and won the Conservatives an extremely close election. Eighteen years on, we are approaching an election which is likely to be just as close – but our communication habits have changed dramatically. News, comment, opinion and trends are generated in social media spheres as much as in traditional media.

Was it social media wot won it for Barack Obama? There’ll be no definitive proof, but the facts remain that as far as engaging with social media was concerned, Obama gave John McCain an absolute spanking. British parties are quickly realising that a stranglehold on the social media space could be critical if it comes down to a few fractions of per cent swing to tip the balance of power.

In this country, the major parties are all embracing social media enthusiastically. One name to mention in particular is Liberal Democrat MP Lynne Featherstone who has been driving their social media strategy for some time now – for the Lib Dems, with their traditionally younger voter base, social media could be the critical difference between success and failure. The independent bloggers are uncontrollable but powerful; the likes of Mark Reckons, Adam Bienkov, Iain Dale and above all Guido Fawkes ensure that grass roots opinions are given a wide audience.

One phenomenon that has grown in recent years has been the vigorously competitive commenting on news articles and blog posts written by the major media owners and bloggers. Take BBC Political Editor Nick Robinson – potentially the most powerful political journalist in the country – who in addition to his TV and radio commitments has a lively and active blog with a huge readership. Robinson’s blog covers all aspects of mainstream high-end party politics, but just as fascinating as the posts are the comment wars which take place on the same page. Of particular note are the Tory commentators – many of them Guido Fawkes disciples –  who have practically taken up residence on Robinson’s blog with an incessant stream of posts undermining Robinson’s impartiality, particularly if he writes a piece critical of anything Conservative – an excellent example is here.  Do these howls of outrage have any effect? Probably not on Robinson himself, who doesn’t appear to read the comments, but perhaps on the casual blog visitor who may have seeds of doubt sown into his mind as to whether Robinson is in fact a Labour stooge. There are similar “comment wars” in the Daily Mail – with both right- and left-wing activists arriving in droves to “rate” comments as good or bad (they are scored accordingly).

I would suggest that social media will make this election the nastiest yet. We’re back to the bad old days of the internet – anonymous writing, shadowy figures, alter-egos, Mr Hyde online personalities. While party HQs may not authorise spiteful smear campaigns or disinformation, they have little control over the bloggers and tweeters who can unleash vicious propaganda, spin and counterspin which could, in some cases, be enough to unseat an MP – and potentially tip the balance of the whole election. Of course, there’s nothing to say that an official party campaign couldn’t be running guerrilla social media affairs anonymously. Bet your bottom dollar that the more tech-savvy activists will be on the hunt for incriminating IP addresses though. Some of the more forthright bloggers end up in wars of words that would make Genghis Khan wince, although to my knowledge Khan’s weapon of choice was not the handbag. More controversial are subversive campaigns against particular MPs; the #kerryout campaign on Twitter, a guerrilla tactic attempting to unseat Labour loyalist MP Kerry McCarthy, was the subject of much wagging of blogger/tweeter tongues. At the time of writing, the furore has died down somewhat, although the campaign trundles on in the background (the latest contribution, from somebody calling themselves “OldHolborn”, simply says “@KerryMP Oh do fuck off you greasy pole climbing vegan mentalist #kerryout”.

But is Twitter mainstream enough yet to make much of an impact on voters? Iain Dale, one of the most powerful Conservative bloggers of all, has less than 8000 Twitter followers – not bad, enough to win an election on his own? I suspect that the truth is that, as with a commercial marketing push, a social media campaign has to look at the platforms holistically and with an integrated social media campaign in mind, rather than knee-jerk “We need Twitter activity”. There is often a natural, organic progression of content and social buzz from blogs and other web content, via Twitter, to Facebook groups and pages, and thence into mainstream channels and media with an ever-increasing and widespread audience.

Did the Tories score a social media own goal?

Did the Tories score a social media own goal?

The outstanding example of social media generating interest in recent weeks has come from MyDavidCameron. When the Conservatives launched a print ad campaign featuring the Tory leader’s face prominently, it was leaked (or noticed) that Cameron’s face was heavily airbrushed. This led, unsurprisingly, to a fair degree of mirth from political commentators, but were it not for MyDavidCameron, a few titters and sketches in the Guardian may have been the end of it. Then graphic designer Clifford Singer spoofed the posters, created a website for his handiwork along with a slogan (“Airbrushed for Change”), and the rest is history. I personally heard about it (via a retweet) in its early days – and the social media buzz grew exponentially over the next few days. At the time of writing, MyDavidCameron has a relatively meagre 700 followers on Twitter and 1000 fans on Facebook – but that has been enough to generate countless email forwards, 90,000 unique visitors, chatter in forums of all sorts, and generate coverage in national newspapers. With the online generator  anyone can have a go and those blessed with Photoshop skills have come up with some outstanding creations (I must confess that I giggled in a puerile manner at a contribution I came across where Cameron’s head was expertly replaced with a certain male organ – to preserve people innocence, and jobs, I won’t reproduce it here). The result: the Tories’ no doubt expensive ad campaign completely undermined and next to useless – with reports that they are recruiting a Brand Manager!

Social media is unlikely to be the single biggest factor in deciding the outcome of the election this spring. But at both a local and national level, those campaigns which make best use of social media will surely maximise turnout and hook in floating voters.

Political discussion arousing strong emotions, I should probably add that although the purpose of this article is to briefly examine political social media activity from an objective standpoint, the views expressed here are my own and not of Social Media Library or Firebrand Digital.

About The Author

Eoghan ONeill

Eoghan O'Neill

Eoghan O’Neill is a Social Media Analyst for Social Media Library. Responsible for developing the content within Social Media Library, Eoghan spends his day darting between reading blogs and Twitter posts from around the world, and with his nose deep in spreadsheets! Prior to joining Social Media Library he worked within Arts Marketing for a leading arts trust and is a Physics graduate from Imperial College, London.

Eoghan blogs frequently at Eoghan London and is an active user of Twitter too @EoghanLondon.




Loose Tweets Sink Fleets – The Dangers Of Social Media


Loose Tweet Sink Fleets

Loose Tweet Sink Fleets

Recently, social media seems to have been hitting the news headlines on a daily basis. Stories range from the good to the bad and the ugly. In the past week, there have been a number of stories that, together, say something about the need for a degree of care when using social media. Let’s take a look at three of them and see how lessons can be learnt from each.

Dappy from N-Dubz

Dappy from N-Dubz

N-Dubz are currently one of Britain’s biggest pop groups and their most vocal leader is undoubtedly Costas Dinos Contostavlas, also known as Dappy. His appearance on BBC Radio 1’s Chris Moyles show last week, however, did his and the Government campaign that he supports, no good at all. An invite to listeners to text in questions prompted one listener to send an abusive text to the band (ah, the joys of modern technology, although the same thing did happen to Five Star by good old fashioned landline telephone back in the late 80s, watch it here). Dappy, in the studio, noted the sender’s number and sent her abusive messages in reply. Which, of course, came out to the media. Cue PR disaster for the band and even bigger PR disaster for the Government’s Beat Bullying campaign against cyber-bullying, who’d two months previously christened N-Dubz “great ambassadors” in the campaign. No longer, as the singer has now been axed from the campaign.

Less high profile but of equal import is the tale of one Paul Chambers, who tweeted on the closure of Doncaster’s Robin Hood airport, saying that he was “planning to blow the airport sky high” if they didn’t open on time for his flight. An innocent joke meant for friends, of course. But the joke wore thin when police arrived on Mr Chambers’ doorstep two days before his flight. A story that raises questions of civil liberty, privacy, police tactics on terrorism and use of social media.

Giles Coren

Giles Coren

Finally, Times columnist and no stranger to controversy, Giles Coren last week used his Twitter account to complain about the noise made by his neighbour’s son playing a drum kit. That he did so using threats of death and sexual abuse propelled this story into the mainstream. Again, it’s clear that Coren was making a joke meant for friends with as dark a sense of humour as himself. However, the tone of the tweets may well have alienated even some of his most ardent followers. And I don’t suppose his neighbours will be lending him a cup of sugar any time soon.

The main lesson to be learnt from these cases is to take a cautious attitude to the use of social media. Being in the public eye in such a way means that communication by social media can be picked up by virtually anyone, be it the authorities, the media or other social media users who often play a part in drawing attention to stories for the media.  And the advantage that social media gives of blurring the lines between personal and professional can also be a danger. Brands and organisations need to constantly beware that they have employees and representatives who are using social media in ways that could damage them. And because of this, it’s worth making 100% sure that these people are aware of the possibilities and dangers of the medium, as Manchester United have seemingly done.

About the Author

Paul Barnett

Paul Barnett

Paul Barnett is a Social Media Analyst for Social Media Library, responsible for developing the content within Social Media Library. Paul lives in a world of blogs, blogs and more blogs, scouring the web and plucking out the juiciest information he finds. Previous to this, he worked as a Music Press Officer. He is also a freelance writer, writing for TV and editing a music title, SWN Magazine.

Paul blogs extremely infrequently about stuff that he does and once blogged about cheese, maybe he will do again some day. Follow him on Twitter @paulbarnett1.




The Sweetest Twitter Suite Of All?


By Xavier Izaguirre,

To any self respecting “Twitterer”, Twitter.com is clearly insufficient. In order to harness the full potential of Twitter and remain productive using it, you need to get hold of a Twitter suite. There are quite a few out there and unsettlingly they keep adding and adding features to improve functionality and serve different industries that nowadays have Twitter and social networks included in their staff job descriptions. This is why choosing one involves quite a lot of guesswork and switching from one to another can sometimes seem like a drag. Hence, before moving your tweets and social platforms to a suite, cast an eye over this article.

We’ve decided to have a quick overview of the four chief clients that use Twitter and social media, so you can then pick one or change to one that suits you better. After the brief lowdown I have included an exhaustive comparison of features.

Cotweet

Cotweet has recently been quoted as the ultimate business solution and for a reason. Cotweet is the ideal solution for big companies with multiple accounts to take care of and, more importantly, with different people in charge of managing different sides of the tweet’s output and input. This is because Cotweet has been developed to make the tweets that need to be acted upon (email notifications, tweet asignments) unmissable.

On the downside, Cotweet is not as useful from a knowledge centre perspective, since it is not laid out in columns.
As a conclusion I’d say that Cotweet is the way forward for CRM, customer service purposes and for companies that receive many @messages expecting an answer (e.g. a sales outlet or a service provider).

Hootsuite

Hootsuite is a very complete solution that allows multiple accounts and has a column-based interface, which makes for a great way to organise streams of information on people’s tweets (e.g. lists) and search queries (trends, brand monitoring or trend analysis). It is ideal for PR or reputation managers that need to keep an eye on various issues at the same time and to update their knowledge in various areas. Besides all this, the greatest selling point of Hootsuite is the range of click through analytics that gives a real time insight on best working tweets and the number and origin of click throughs.

On the downside, the absence of notifications of any kind makes Hootsuite very demanding for people that need or want to be constantly updated of mentions or DMs.

As a conclusion I would recommend Hootsuite to everyone with an interest in the information possibilities of Twitter, either for learning or monitoring purposes, and to all those who need to constantly monitor the success of their tweets, such as all those who are using Twitter for brand building and lead generation purposes.

Seesmic

The focus on Seesmic seems to be ubiquity and cross functionality. With more mobile applications than anyone and the recent acquisition of Ping.fm, Seesmic gained a lot of points in becoming the best connected client, linking up with 50+ social networks including WordPress, Delicious and Notepad.

On the downside, Seesmic lacks much functionality on the analytics and business side.
I would recommend Seismic for people with a very active online social life who need to update multiple platforms from the same place effectively.

Tweetdeck

Tweetdeck is another Twitter solution that resembles Hootsuite in its ability to display a lot of information at a glance. Also, it has some excellent unique features like the on-screen flash when you get a mention (like Outlook’s new email flash) and the ability to track new followers, both of which are of great use to businesses.

On the downside, Tweetdeck is not totally accessible on the web and needs to be downloaded. Also, it lacks some key features like tweet scheduling and analytics.

However, Tweetdeck is the market leader so far with 20% of Twitterers using the application’s slick and irresistible interface. Tweetdeck has been recently installed in all staff computers in SKY newsroom thanks to its column interface and flashing service that makes it easy and fast to stay abreast of news as it happens.

Comparision Chart of the 4 Main Twitter Clients

Comparision Chart of the Four Main Twitter Clients

This report is accurate at the time of writing.

Also, I confess to being a heavy user of Hootsuite.

Xavier Izaguirre joined Social Media Library in November 2009 working as part of the Research Team. Prior to joining Social Media Library, Xavier completed a Masters Degree in Marketing and Communications at Westminster University, London. An active user of Social Media platforms, Xavier is very passionate about new trends in communication and Social Media Marketing contributing towards a number of online campaigns within the Educational Sector.

Follow Xavier on Twitter at @Xavi_izaguirre




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